Release Date 3rd December
Exploring themes of the human and emotional consequences of life surrounded by data, the piece echoes the concept of social media, advertising, marketing companies and political factions exploiting our data to gain wealth, political advantage and sow division. Key reading for the project was based around the contemporary philosophical work Psychopolitics: Neoliberalism and New Technologies of Power by Byung-Chul Han.
“The piece opens with Monster which has a kind of drunken madness to it, highly repetitive to mirror the repetitive nature of how we as humans engage with technology such as social media. It’s sometimes edging towards chaos but yet always returning back to the same starting point, but eventually giving way to exhaustion. I wanted to create a bold opening piece for Overflow,” states West.