Derided as a joker, dismissed as an indie elitist--few believed the hype that frothed from critical mouths about Damon Gough, a bleary-eyed, bestubbled Mancunian with an acoustic guitar and a shambolic stage manner. But The Hour Of The Bewilderbeast - the debut album by Gough's alter-ego, Badly Drawn Boy--is utterly superb, an 18-track collection of futurist folk as intimate and well crafted as Nick Drake's Bryter Later